![]() Its another soon to be forgotten format, just like Quad. Yamaha may have figured out finally that DSP and fake room acoustics are not the answer either in the consumers listening space either. JBL may have one the war with the ring radiator for studio monitors, but they don't use them anymore. If they had Analog LP's would have never made a return to popularity. Its all about balance and though Yamaha has one the war temporarily they have not conquered the world. I don't want to hear brass players breathe as they play, with the piston valves clanking and I want to hear the fundamentals of violin family and not the sound of the horse hair bows scraping the strings. ![]() I don't want to hear singers spitting in my ears or the hard sounds of reed instruments vibrating reeds. Time has passed on and peoples likes have changed for the worse in my opinion. Analog was still influencing the thoughts of a lot of p[eople about what concert sound should sound like and Yamahas digital interpretation though it may have been technically correct, just didn't sound like great analog or others interpretations. ![]() Their older stereo receivers were much better using conventional power supplies and discrete output devices. When HT came along it was easy to hear Yamaha was in 3rd or 4th place, even with all there supposed digital studies of different venues. ![]() Coming into Digital quite late with the MCD 7000. When digital came along in the 80's Pioneer and Sansui were the best sounding. We sold Yamaha, B&K, MArantz, NAD Tandberg, Mcintosh, Sony, Pioneer, Sansui and others over the 70's 80' and 90's. ![]()
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